For Lino, glassblowing is meditative. He follows his intuition and instincts in the hot shop, allowing his creativity to flow in all directions. The Poesia are particularly hypnotic: the intricate canes swirl together and invite the viewer to experience the same meditative qualities that Lino experiences while making the pieces.

Lino often draws inspiration from the architecture he encounters during his travels. His keen eye for form and design allows him to translate iconic structures into glass. This piece was inspired by “The Gherkin,” the oval-shaped skyscraper that defines the London skyline. Its sleek, spiraling geometry impressed Lino, and here, the simplicity of white enhances the artwork’s modern elegance.

Positano again demonstrates the historic Venetian glassblowing technique filigrana. This particular artwork features two layers of filigree: Lino created one vessel with “half filigree” canes swirling in one direction, and then stuffed that vessel with another made of canes swirling in the opposite direction. This particular vessel features exclusively white canes, giving the impression of lace.  

Artworks like Stromboli feature simpler, more essential forms that provide a striking canvas for Lino Tagliapietra’s masterful use of color and design. In these pieces, the Maestro often explores the interplay of transparency within the murrine, creating dynamic effects that highlight both the exterior surface and the interior of the vessel. This dual visibility allows the viewer to fully appreciate the depth, complexity, and technical brilliance of each work.

The Medusa series, named for the Italian word for “jellyfish”, re-calls the sight of these sea creatures floating gently on the water’s surface. To achieve this effect, Lino begins by blowing a sphere in which he punctures a hole and inserts the small circle of cane. The glass fuses together and creates the “jellyfish” that drift across the exterior of the vessel.

The Gioiello series use copper mixed with clear glass to achieve their metallic hue. The avventurine process is a particularly difficult task, and one that Lino intensifies by adding color to the works as well. 

Inspired by his visit to Australia and the aboriginal paintings he saw there, Lino created the Kookaburra series. These vessels feature vibrant and intricate patterns similar to the aboriginal style, and play with balance as the forms often perch atop a small base.

Lino Tagliapietra's Phoemina series, introduced in the 1990s, highlights his mastery of form and texture. Featuring vertical canes applied to the vessel’s surface, the design creates gentle, swirling patterns that suggest movement and depth. As light plays across the glass, the piece shifts visually, offering a dynamic viewing experience. This series reflects Lino’s ability to bring elegance, rhythm, and life to his glasswork through refined technique.